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Writer's pictureFaruk Kara

Eric Marland's Alphabet Museum

Eric Marland's Alphabet Museum is in the rescued chapel, once earmarked for demolition by the church authorities. "They could not afford the demolition fees and so it remained until I came along and bought it" Eric tells me. The chapel is now a fully working studio. Part of the renovation works was the installation of a large woodburner. "Don't forget it was a morgue chapel!" Eric reminds me.


The name comes from the rescued stone, designed by David Kindersley, that sits outside the chapel now. It belonged to Dr. David Diringer - a reknown expert in Semitic Epigraphy at University of Cambridge - and sat outside his home in St Barnabas Rd in Cambridge.


Eric was an apprentice to David Kindersley - highly regarded for his beautiful spacing - who in turn was an apprentice to Eric Gill (Gill Sans) who in turn studied under Edward Johnston (London Transport typeface). For those in typography, that is quite a lineage of the greats of UK lettercutting and typeface design over the last 100 years.


A documentary video mixing oral recording and photographs is available in my videos, Eric Marland's Alphabet Museum.


Large letter cut headstone sized black slate. In monochrome
Alphabet Museum and Seminar (David Kindersley)
Interior shot of the converted studio. In colour
The Chapel Studio
Monochrome portrait while lettercutting, chisel and hammer in hands. Head is turned looking at the photographer.
Lettercutting
Apprentice being over seen while cutting capital alphabet. In monochrome
Master and Apprentice
Lettercutters standing either side of finished headstone. In monochrome.
A Finished Piece
Lettercutter standing behind headstone in colour
One I Made Earlier I (Eric Marland)
Lettercutter standing between two headstones. In monochrome
Comparing Headstones
Lettercutter crouching over gravestone that is laod flat. In colour
One I Made Earlier II (Eric Marland)
Lettercutter leaning over black slate headstone in monochrome
One I Made Earlier III (Eric Marland)
Crouching beside black slate looking into the camera in monochrome
One I Admire (David Kindersley)
Lettercutter stood behind leaning on headstone looking intot the camera in colour
One I Made Earlier IV (Eric Marland)
Lettercutter crouching beside headstone looking into the camera in monochrome
One I Made Earlier V (Eric Marland)
Close up portrait in monochrome looking directly into the camera
Ah, There You Are!


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